Michael Workman
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Performance Series Statement: Active Investigations
48 Hours Summit of Socially-Engaged Art, Denver, Colorado 2018
Jackson & Homan Plaza Chicago Dept. of Transportation Commission
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Reginald Gibbons
Personal Essays
Cereal Romance
The Favorite Son
Hope Dies Last: The Lasting Scars of Difficult Times
Love in a Time of Anomie
Lucky Junkie, Or: How I Learned to Stop Worrying and Love My Drugs
Repairing the World
as Lawrence L'Amour
Crazy Love: Memoirs of a Marriage Gone Queer
Love Hurts: An Unconventional Romance
as Art Editor
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Rain Taxi
Andrei Monastyrski, Elementary Poetry
Bill Ayers
Edward Cushenberry
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zingmagazine
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Envy the Dead
Etc.
Hellmouth (& Process)
Hellmouth (Final)
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Hollow Harvest
Landscapes
Moloch/Hurm Studies
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Moloch I (Final)
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Process & Details
Portraits
Post-It & Text-Based
Star Studies & Cloud Writing
Tunnels
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Artist Roundtable 1
Artist Roundtable 2
Blurring Art & Life
Creative Industrialization of Social Practice
On Dance Criticism
Invisibilia
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Add'l Press
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Newcity
After the Factory
Bridge
Perfect Worlds, Vols. 1-3
Movement Matters
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Contact
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Workman Studio Home
Michael Workman
Home
Portfolio
Assembly Zones
Listening Stations
Photo Documentation
Audio Recordings
Books & Journals
Matte Magazine
Notre Dame Review
Propositional Attitudes
Perfect Worlds, V. 1
Relative Chill
Curatorial & Projects
Evil Is Interesting
Landing Projects
Landing Projects, Intro
Andrew Schachman: Cloudless Sky 1
Landing @ Terrain '19
Maura Walsh
Video Documentation
Photo Documentation
Randall Garrett
Photo Documentation
Video Documentation
Sukenick & Ek
Video Documentation
Photo Documentation
Underage Masturbator
Perfect @ the Chicago Cultural Center
Frank Pollard @ MDW
Photo Documentation
Reviews
Video Documentation
The Private Reading Series
Propositional Worlds
at The MCA Chicago
Discussion and Q&A
Intimate Conversation
Needs
Performance Score
Video Documentation
Po'Chop
Range Mobile Lab
Untitled
Behind the Scenes
at SITE/less Chicago
Video Documentation
Closer / Farther
Drag
Video Documentation
Sarah Zalek on Drag
Gender Assignment
New New Games, Flexible Individual/Neo-liberal Limbo
Range Mobile Lab
Solicitation
Performance Score
Video Documentation
Synchronized Walking
Tea and Fences: A Quiet Tea Party
Behind the Scenes
Photographic Documentation
Time Trial 1
Cine Poetry
Bull's Eye (After Hitchcock)
The Intrinsic Movement of Light
A Cloud
Dances & Performances
A Conversion
Concrete / Fabulisms
Video Documentation
Dance Notational Drawing
Drag
Instructional / Interactionist
Active Investigations
Performance Series Statement: Active Investigations
48 Hours Summit of Socially-Engaged Art, Denver, Colorado 2018
Jackson & Homan Plaza Chicago Dept. of Transportation Commission
Broke Moves
Displaced Persons
Displaced Persons
Audience Interviews
Audience Interviews - Caleb
Audience Interviews - Emily & Alec
Audience Interviews - Sam
Audience Interviews - Sidhart
Participant Interviews
Jamie Corliss
David Perales Albert
Add'l Performances
Jenny Chukwu
Alana Deitch
Incomplete Open Interactions
Needs
Performance Score
Video Documentation
Intimate Conversation
Mirrorglass
Mirrorglass
Working Everyday
Mirrorglass: Working Everyday
Drawn & Quartered
Drawn & Quartered
Night Moves
Summoner
Solicitation
Sophie Shellbags
Audio Composition
Dance Notational Drawings
Photo Documentation
Video Documentation
at Verge NY 2015
w/ Industry of the Ordinary
Expositions
Artboat
Bridge Art
London '07
Miami '06
Miami '07
Miami '08
New York '08
New York '09
Bridge: Verge Berlin '08
at Art Chicago '07
New Material
Nova Art
Catalog
Photo Documentation
Press
ABC7 Chicago
Artnet
Fiorst Article
Second Article
Chicagoist
Chicago Reader
Chicago Sun Times
Chicago Tribune
On Fashion Train
On NOVA
Stretcher Magazine
Time Out Chicago
Nova CTA Fashion Train
Verge Art
Art Brooklyn '11
Miami '09
Miami '11
New York '12
New York '14
Personas
Charlie Chaser
Pooh the Critic
Photo Documentation - Pooh the Critic
Pink On the Inside
Reporting & Criticism
Bridge magazine
Chicago Reader
Barbara Ransby
Dalkey Archive Press
Chicago Tribune
Laurie Anderson
Bill Ayers
William Conger
En Mas
Dan Friedman
Shirin Neshat
New Town to Lakeview
Vincent Tiley
John Waters
Contemporary Magazine
Francesco Bonami
Joe Damascino
Shane Huffman
Sabrina Raaf
Stray Show
Nathaniel Rackowe
Flash Art
Cityscape: Chicago
Young Sun Han
Kerry James Marshall
Josiah McElheny
Iñigo Monglano-Ovalle
Scott Treleaven
Guardian US
Industrial Nation
New Art Examiner
Goldsmith, Op-Ed, Andrews & Taylor
Purcell & Farrar
Newcity
Features
Nkemdiche
Balkrishna Doshi
Across the Great Divide
A Troubling Blind Spot
Marshall Brown
Daniel Bozutzky
Pidgeon Pagonis
Open House Chicago
River North Design District
Alicia Eler
Reginald Gibbons
Personal Essays
Cereal Romance
The Favorite Son
Hope Dies Last: The Lasting Scars of Difficult Times
Love in a Time of Anomie
Lucky Junkie, Or: How I Learned to Stop Worrying and Love My Drugs
Repairing the World
as Lawrence L'Amour
Crazy Love: Memoirs of a Marriage Gone Queer
Love Hurts: An Unconventional Romance
as Art Editor
Proximity
Rain Taxi
Andrei Monastyrski, Elementary Poetry
Bill Ayers
Edward Cushenberry
Katie Kitamura
Ken Krimstein
James Q. Whitman
zingmagazine
Sculpture & Objects
Blood Lake
Insult Baseballs
Social Practice
Crisis Resources
Make #Amends
Spectrum Services
Watercolors, Drawings & Oils
Allen the Chalk-Line Ghost
Allen Origins
Ghost Army
Chainsaw Suicide
Commissions
Envy the Dead
Etc.
Hellmouth (& Process)
Hellmouth (Final)
Process & Details
Hollow Harvest
Landscapes
Moloch/Hurm Studies
Moloch I (& Process)
Moloch I (Final)
Process & Details
Moloch II (& Process)
Moloch II (Current)
Process & Details
Portraits
Post-It & Text-Based
Star Studies & Cloud Writing
Tunnels
Symposia
Artist Roundtable 1
Artist Roundtable 2
Blurring Art & Life
Creative Industrialization of Social Practice
On Dance Criticism
Invisibilia
Past Incapacities
Add'l Press
Bad at Sports
Interview w/ Sabrina Raaf
Newcity
After the Factory
Bridge
Perfect Worlds, Vols. 1-3
Movement Matters
Assembly Zones
Bio / Statement
CV
Contact
News
Workman Studio Home
Verge Art
>
Art Brooklyn '11
Verge Art Brooklyn '11, Time Out Article 2
2018
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